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Dreamy- Erroll Garner 1964
Dreamy - Erroll Garner in 1964.
Erroll Louis Garner ( 1921 - 1977) was an American jazz pianist and composer known for his swing playing and ballads.
His best-known composition, the ballad Misty, has become a jazz standard. Born in Pittsburgh, Pennsylvania ,
Erroll began playing piano at the age of 3. He attended George Westinghouse High School, as did fellow pianists Billy Strayhorn and Ahmad Jamal.
Garner was self-taught and remained an "ear player" all his life he never learned to read music. .
At age 14 in 1937 he joined local saxophonist Leroy Brown. He played locally in the shadow of his older pianist brother Linton Garner and moved to New York in 1944. He briefly worked with the bassist Slam Stewart, and though not a bebop musician per se, in 1947 played with Charlie Parker on the famous "Cool Blues" session. Although his admission to the Pittsburgh music union was initially refused because of his inability to read music, they eventually relented in 1956 and made him an honorary member.
Garner is credited with having a superb memory of music. After attending a concert by the Russian pianist Emil Gilels, Garner returned to his apartment and was able to play a large portion of the performed music by recall. He was also known for his occasional vocalizations while playing, which can be heard on many of his recordings.
He helped to bridge the gap for jazz musicians between nightclubs and the concert hall. Until his death on January 2, 1977, he made many tours both at home and abroad, and produced a large volume of recorded work.
In this recording he is accompanied by Eddie Calhoen on bass and Kelly Martin on drums.
Erroll Louis Garner ( 1921 - 1977) was an American jazz pianist and composer known for his swing playing and ballads.
His best-known composition, the ballad Misty, has become a jazz standard. Born in Pittsburgh, Pennsylvania ,
Erroll began playing piano at the age of 3. He attended George Westinghouse High School, as did fellow pianists Billy Strayhorn and Ahmad Jamal.
Garner was self-taught and remained an "ear player" all his life he never learned to read music. .
At age 14 in 1937 he joined local saxophonist Leroy Brown. He played locally in the shadow of his older pianist brother Linton Garner and moved to New York in 1944. He briefly worked with the bassist Slam Stewart, and though not a bebop musician per se, in 1947 played with Charlie Parker on the famous "Cool Blues" session. Although his admission to the Pittsburgh music union was initially refused because of his inability to read music, they eventually relented in 1956 and made him an honorary member.
Garner is credited with having a superb memory of music. After attending a concert by the Russian pianist Emil Gilels, Garner returned to his apartment and was able to play a large portion of the performed music by recall. He was also known for his occasional vocalizations while playing, which can be heard on many of his recordings.
He helped to bridge the gap for jazz musicians between nightclubs and the concert hall. Until his death on January 2, 1977, he made many tours both at home and abroad, and produced a large volume of recorded work.
In this recording he is accompanied by Eddie Calhoen on bass and Kelly Martin on drums.
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What is this thing called love- Erroll Garner 1964
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What is this thing called love - Erroll Garner in 1964 Erroll Louis Garner ( 1921 - 1977) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad Misty, has become a jazz standard. Born in Pittsburgh, Pennsylvania , Erroll began playing piano at the age of 3. He attended George Westinghouse High School, as did fellow pianists Bil...
Just one of these things -Erroll Garner 1964
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Just one of these things - Erroll Garner in 1964 Erroll Louis Garner ( 1921 - 1977) was an American jazz pianist and composer known for his swing playing and ballads. His best-known composition, the ballad Misty, has become a jazz standard. Born in Pittsburgh, Pennsylvania , Erroll began playing piano at the age of 3. He attended George Westinghouse High School, as did fellow pianists Billy Str...
All of me -Teddy Wilson, Earl Hines.1965 in Berlin
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All of me- Teddy Wilson and Earl Hines in Germany 1965 At a piano workshop in Berlin in 1965 we can witness pianist Teddy Wilson. After his first tune he is joined by pianist Earl "Fatha" Hines and they play "All of me". They are accompanied by Cees See on drums and Peter Trunk on bass. "Teddy" Wilson (, 1912 1986) was an American jazz pianist whose sophisticated and elegant style was featured ...
At the jazzband ball - Jimmy McPartland 1975
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At the Jazzbandball - McPartland Jimmy 1975 From a 1975 club concert movie called "At the Top" we see a performance of "At the Jazzbandball" with musicians who, in some way had been associated with Bix Beiderbecke. Jimmy McParland cornet, Joe Venuti violin and Spiegle Wilcox trombone played with Bix in the twenties and the other musicians certainly appreciated his musical genius. We see pianist...
Mabel's Dream - King Oliver 1923
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Mabel's Dream King Oliver's Jazz Band 1923 This a track from the famous Oliver/Armstrong recordings. The band plays Mabel's Dream. A famous movie star in those years was Mabel Normand. Could this composition and it's name have had anything to do with her popularity? Maybe, or maybe not. Who is there still to ask? WHO WAS MABEL NORMAND? Mabel Normand was known as the female Chaplin and the undis...
Just one of those things -Erroll Garner 1964.
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Erroll Garner in London England in 1964 with bassist Eddie Calhoun and drummer Kelly Martin
Over the waves - preservation Hall Jazz Band 1971.
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Preservarion Hall Jazz band in 1971 in Preservation Hall New Orleans
Zoot's Bossa Nova - Zoot Sims 1977
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Shadow Waltz - Sims Zoot 1977 From one of the best Peter Appelyard Shows recorded in Toronto in the late seventies was a performance of three famous guests. Zoot Zims on tenor saxophone, Hank Jones piano and the incredible bassist Slam Stewart. Peter instead of on vibes plays maracas to enhance the the bossa nova feel. To me this sounds like a home made melody just wonderfully done just for the...
Your Feet's Too Big - Hank Jones 1977
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Your Feet's Too Big Jones Hank 1977 Peter Appleyard in one of his shows from Toronto in 1977 introduces a performance of pianist Hank Jones. Hank plays a Fats Waller composition. "Your Feet's too Big" was recorded by Fats Waller and his Rhythm in 1939. Hank was part of the production of a New York show about Fats Waller called "Ain't misbehavin" With him in the trio are Slam Stewart on bass, an...
You're a Lucky Guy - Ruby Braff in Bern 1989
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You're a Lucky Guy - Braff Ruby in Bern1989 . These were recorded in the Kursaal in Bern, Switzerland on April 29, 1989. Ruby Braff, cornet, Howard Alden, guitar, Gray Sargent, guitar, Eddy Jones, bass and Oliver Jackson, drums.
You're a Lucky Guy - Maxine Sullivan in Bern 1986.
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You're a Lucky Guy - Sullivan Maxine 1986 Maxine Sullivan, the "grand dame" of jazz singing performs at the first Bern International Jazz Festival in 1986. The superb back-up team consists of Dick Hyman piano, Jack Lesberg bass and Jake Hanna drums.
Over the Waves - Pete Dailey 1951
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Over the Waves - Pete Daily 1951 After his military sevice in World War Two, Daily formed his own Dixieland band "Pete Daily's Chicagoans" in 1946, based in California. This group was popular there for several years and recorded for Capitol records.. Pete Daily had a hard-driving yet lyrical style and he was always an asset on Dixieland dates. He still played actively during the seventies but a...
Three Blind Mice - Red Nichols and his Five Pennies 1950
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Three Blind Mice - Red Nichols and his Five Pennies 1950 In this clip you'll see this band, who were around in the days that Bix recorded this song in 1927, perform it as well .They follow a simpliefied arrangement of the original recording. Before I started playing myself I heard Red Nichols and his Five Pennies quite a lot on the radio and I am glad I could present you with this video. In the...
You took advantage of me - Wild Bill Davison in Bern 1985
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You took advantage of me - Condon Memories 1985 Condon Memories All Star Band, Bern Jazz Festival 1985 Wild Bill Davison trumpet, Warren Vache cornet, Bob Wilber soprano sax, Bill Allred trombone, Bucky Pizzarelli guitar, Dick Wellstood piano, Milt Hinton bass, Jake Hanna drums. The musician of honour in this session was veteran Bill Davison. Wild Bill (William Edward) Davison was born in Defia...
You can depend on Me - Braff and Pee Wee Russell at Newport 1962
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You can depend on Me - Braff and Pee Wee Russell at Newport 1962
You've Been a Good Old Wagon - Linda Hopkins 1978
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You've Been a Good Old Wagon - Linda Hopkins 1978
Wolverine Blues - Jack Teagarden.1945
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Wolverine Blues - Jack Teagarden.1945
Wolverine Blues - Eddie Condon 1959
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Wolverine Blues - Eddie Condon 1959
Wolverine Blues - Tremble Kids of Werner Keller.1984
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Wolverine Blues - Tremble Kids of Werner Keller.1984
Wild Man Blues - Wynton Marsalis.2000
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Wild Man Blues - Wynton Marsalis.2000
Where or When - Erroll Garner 1962
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Where or When - Erroll Garner 1962
Where is my sweetie hiding - Prague Orch.1993
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Where is my sweetie hiding - Prague Orch.1993
When you're Smilin' - Dorothy Donegan 1987
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When you're Smilin' - Dorothy Donegan 1987
When lights are Low - Benny Carter in Copenhagen.1985
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When lights are Low - Benny Carter in Copenhagen.1985
When the Saints go marchin' in - Bobby Hackett.1962
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When the Saints go marchin' in - Bobby Hackett.1962
When I grow too old to dream - Spiegle Wilcox and Climax JB in 1988
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When I grow too old to dream - Spiegle Wilcox and Climax JB in 1988
When dreams come through - John Ulrich 1982
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When dreams come through - John Ulrich 1982
To NAJWAŻNIEJSZA muzyka w moim życiu. Dzięki niej wyruszyłem w świat ("Klub sześciu kontynentów").
GENIUS MUSICAL TALENT. Thank you Mr Louis Armstrong.
Coleman Hawkins was in bad shape, but he still could blow 😂❤
GUNHILD
omg!
EXCELLENCE ❤
is that a gibson 330 guitar? thanks in advance
❤️❤️❤️❤️
He makes me so happy. This is amazing
Fantastico création y talento irreptible❤❤❤
I was 11 about 20 years to young to know i know now tho
I prefer this arrangement over Horace Silver's. Wes's is more chill and relaxed. Horace's version feels very rushed and chaotic. My 2 cents.
成員还留下多小人？
Merci pour ton amitié ❤❤❤
One of my absolute favorite piano geniuses, I had the pleasure of meeting him and his brother Calvin
Nica was Baroness Kathleen Annie Pannonica de Koenigswarter. She was a British-born jazz patron and writer. A leading patron of bebop, she was a member of the Rothschild family.
Mi hermano Ignacio con la Porteña en la década de los 60
Спасибо супер
My favorite rendition of the piece to date
Tuba player is the music director on the old I Love Lucy shows. And this song has the same chords as Bill Bailey - so do a bunch of other tunes too.
The very essence of Jazz. Never to be bettered.
Simply the greatest drummer that ever lived..b.rich included..both were amazing.
Such a sweet and kind person what a man i can not believe it
O my God the piano player and Wes these are the top.i well never ever forget hipper than hip not on a hip trip this is the shit
my favorite since 1958
what's with all these hep cats and beatniks coming in my open door , snappin their fingers , reciting impromptu poetry, playin bongos and groovin to Wes ? I can't here wes ! well im leaving my boom box on ( i out the audio from my laptop through it to get a louder sound then this lousy low level speaker built into my laptop) and at the same time puttin my headphones on
Wes на небе продолжает играть ❤
Unforgettable! One of a kind~
Love this guy
There's only one Louis Nelson!
That’s my Great Uncle Geoff Holmes on Trombone! I grew up listening to this. I have all the Vinyl
Try to watch documental jazz by Ken Burns and learn how Amstrong nailed his time, how generous was with others musicians, and really he was the Best ❤
I first saw Jaye P. sing "I'm Gonna Getcha" on My Three Sons. What a great little song. THEN I realized she's one of the hosts of The Gong Show, THEN I discovered that she had a whole career of singing jazz and pop/rock/funk tunes. What an interesting performer and life.
Ennek hallatán a ti előadásotokban még a holtak is megelevenednek!! ❤❤❤❤😂😂😂❤
Had the privilege of seeing Chris Barber and his band, he came out during the interval and signed the cds we bought from the stand. He was one of the most approachable "Superstars", i have ever met, it was more like talking to your old dad. What a lovely, personable man.
Love the good ol fire house five plus two in my opinion they are one of those oddball bands like the Royal Guardsman that started off as kind of a gag like then became a famous lovable band, nothing like seeing Disney content to Disney’s personal artists by day and band members by night The Firehouse Five Plus Two
Absolutely gorgeous!!
Magnificent
Better IMPOSSIBLE!
Better impossible!
Earl Hines joue avec plaisir et nous transmet ce plaisir dans son jeu, mais aussi dans son expression, où nous sentons son bonheur et son désir de nous réjouir. Un grand homme, un géant du jazz apprécié depuis longtemps en France.
What a…. A wet, sort of greasy trumpet tone! And a sweet trombone solo to follow. Nobody overplaying. Real old school. That bit where the harmony between the trumpet or cornet comes in at the end… end when he does that sort of baritone growl through the brass. Very sublime!
The drummer is fine
Wes Montgomerys playing was such a huge influence on so many players (self included) but i think a huge part of his appeal was also his vibe and style. Humility and greatness is such a blessing, he had both.
Random cats drop out of the ether... a rhythm section of ghost players... proceed to bop and swing up a storm
Those fabulous beginnings of Errol are mini-suites in and of themselves and then that delicious groove.
bravo la colo!!!!!!!!
pure magic...real music
I saw Phil play at a free jazz concert in downtown L.A. put on by MOCA c. 1994
Einfach phantastisch, Gunhild spielt bereits seit 9 Jahren in dieser Band.